Comment Home / Reviews

Urban design: a planner's perspective

Urban design is not architecture, landscape architecture, or city planning; rather, it is about relationships: how buildings relate to open spaces; how buildings and open spaces relate to other buildings and open spaces; how buildings and open spaces relate to the street; how people relate to these buildings and open spaces and streets; and how people relate to each other in this complex web.

Throughout my career in city planning, I have journeyed toward a fuller realization of the fundamental necessity of urban design for the good of city life. In North America, contemporary city planning began with the "City Beautiful" notions of the late nineteenth and early twentieth centuries, then moved to more radical concepts such as "Radiant City" founded in early twentieth century modernism. After World War II, it became increasingly focused on research-based policy analysis, as well as scientific methods that emphasized population and economic projections. While urban design has always remained an important part of planning practice, it has received renewed attention in recent years as the revitalization of historic city centres and a return to historic neighbourhood forms (such as those promoted by new urbanism) have become greater priorities across the continent. I do not consider myself as an urban designer, but rather as a bystander with a front-row seat, and I have spent considerable time learning from and encouraging the designers.

Building vector

To understand urban design, we must first define it. Urban design is not architecture, landscape architecture, or city planning; rather, it is the melding of these disciplines to create a cultural environment that provides an inviting and stimulating context for all types of human interactions. It is about relationships: how buildings relate to open spaces; how buildings and open spaces relate to other buildings and open spaces; how buildings and open spaces relate to the street; how people relate to these buildings and open spaces and streets; and how people relate to each other in this complex web. Urban design seeks to respect the patterns of what went before, and to create spaces that will be enjoyed by many people in many different ways in the future. It is about using our talents of design and appreciation of the created order to create an environment for humanity to thrive.

Urban design affects all of us directly—it determines, to a great extent, whether or not we find a place enjoyable. This sense of wanting to be in a place could come from harmony of texture and colour, the presence of trees and vegetation, or shelter from sun, wind, or rain. It could be from public seating areas that invite us to sit down to talk, or simply to watch the world go by. Urban design greatly influences our perceptions of safety and security. It affects our engagement with the city and with each other.

Building vector

Urban design must necessarily consider both the revitalization of developed areas and the development of new communities. While suburbia provides living spaces that meet many needs, it is largely ineffective in creating civic identity. To combat this problem, the proponents of new urbanism seek to employ pedestrian-oriented prewar neighbourhood patterns in new developments to recreate a sense of community. However, there is a growing realization that urban centres, regardless of size, are the hubs of civic life and identity. This realization brings a growing acceptance that public investment in historic urban centres is beneficial and necessary for the civic good, even if historic economic vitality (e.g. a full range of retail uses) may never be fully restored. Civic buildings such as city halls, theatres and stadiums belong in historic downtowns. Plazas and squares provide venues for community events, or simply spaces in which to spend time in the presence of other people on a beautiful day. Churches, including those with historic buildings that are integral to a city's built heritage, also make their contributions to community life.

Why should all this matter? After all, many places have been developed entirely on a pragmatic basis—utilitarian structures housing people and various activities in a functional way—and there is often a resistance to "embellishing" private and public spaces for fear of wasting money. Yes, good design costs money, because it requires forward-thinking owners who are assisted by competent designers, along with a higher quality of product that may—or may not—require more time and energy to maintain properly. But there is also a cost when things are not done as well as they can be. Poor design cheapens a community; it results, at least in part, in exploitation of an economic resource, and leads to blight as the building or development outlasts its original short-term purpose, or deteriorates due to poor materials or lack of maintenance. There are many examples of lost opportunities—sterile spaces that people use only if required.

Urban design is for people. The presence of people defines success, and therefore we need to carefully consider what people need. This includes homes, workplaces, social spaces, worship spaces, and recreational spaces. The quality of our lives is inextricably linked to the function and beauty of our natural and built environments, and the built environments we choose greatly influence our relationship with the natural environment. To put it simply, we are aesthetic creatures. The way our places look and feel matters greatly to us, whether or not we choose to acknowledge it.

Building vector

Help us spread the word:
| More
Albert Flootman Albert Flootman
Albert Flootman is a Development Planner with the Municipality of Chatham-Kent. ... read more »

Posted in Cities.

Subscribe to the Comment Weekly Newsletter
Comment's online articles serve as bridges between print issues. Get an email in your inbox every Friday, so you don't miss out.
  • Stay up-to-date and informed
  • Only one concise digest email per week
  • We will never share your email address. No Spam!
We will never sell or rent your email address. Your privacy is important to us

Related Articles

We'd love to hear your comments. Tell us what you think of this article! We'll use the best comments in Comment's print edition, and top commenters each month will receive a free, signed copy of our editor's recent book: Discipleship in the Present Tense.

Copyright © 1974-2014 Cardus. All Rights Reserved.


  1. Hope Beyond Frustration: Biblical Wisdom for the Cultural Apocalypse

    March 13, 2014 | Peter Leithart

    "Conservatives" cannot hope; they do not want to hope. They want the world to remain in steady state forever.


  1. A Real Bonhoeffer for the Real World

    April 17, 2014 | John G. Stackhouse Jr.

    Can we still treasure a Bonhoeffer deeply flawed? Must our heroes remain on their pedestals?
  2. Sweetness and Power

    March 27, 2014 | David T. Koyzis

    Thinking about an upcoming Scottish referendum forces us to think beyond the United Kingdom and into Canada, Crimea, and elsewhere.


  1. In the Beginning was Economics

    April 10, 2014 | Paul Williams with Naomi Biesheuvel

    "Our whole working lives, which is an awful lot of what we actually do, is a response to that initial command."

Cardus Blog

  1. It Really Is All About You

    April 17, 2014 | Brian Dijkema

    The Lenten season can sometimes make one feel a bit self-absorbed. Do we really have to spend all that time denying ourselves, searching our hearts, repenting, praying? In m...
  2. Welcome home, Quebec

    April 15, 2014 | Peter Stockland

    While the rest of Canada must still watch its Ps and Qs vis-à-vis Quebec, this week's provincial election is much more than a sigh of relief for the country. For the first ti...

Print Issue

  1. March 2014: Faithful Compromise
    Comment Magazine - Faithful Compromise Daniel is the poster boy of refusal to compromise. Except, of couse, when he did. Daniel was faithful amidst compromise. His expectations were cut to the measure of exile. He ha...
Comment on iPad